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Experimentation Ground
Showcase
*SCAPE The Ground Theatre
Free

Experimentation Ground is an incubation space for artists interested in experimental performance making and performance art. This programme offers a supportive space where artists can explore and innovate, pushing the boundaries of performance and their art form, as well as seek diverse ways of engaging audiences.

Location: *SCAPE The Ground Theatre, Level 2
Dates: 20 January 2024
Admission Type: Free, with Registration

Registration has closed

 

A Body Doing Its Own Figurative Painting, Making Offerings Of Itself As Its Answer. Soft In The Centre, Coagulating And Growing Itself. Tumour Sculptures And Rock Formations Made With Mucosa, Sinew, Tissue, V

Hee Suhui – Ill Behaviour
First Show: 3:30PM – 4:30PM (with post-show talk)
Second: 8:30PM – 9:30PM

Artists and Collaborators: Hee Suhui and XUE

A body running from itself, beside itself, outself itself, inside itself, performing itself. ILL BEHAVIOUR is the co-devising hybrid experiment between body materia, sound and movement. An interdisciplinary performance exploring the abject and coporeal experience of a body turned inside out. ILL BEHAVIOUR plays with qualia, the collective clinical, and questions the shape of bodily memories. An exploration into auscultations and the body uncanny, ILL BEHAVIOUR deconstructs the intimate act of listening in on our own bodies and translates that into an audio-visual performance.

Tapping

Afiszan Amat – ‘;W[qw-u9 “TAPPING”
First Show: 2PM – 3PM (with post-show talk)
Second Show: 7:30PM – 8:15PM

Artists and Collaborators: Cheryl Lee, Christina Cai, Faiz Ariffin, Shanica Shivani, Tan Yung Wee (Bob) and Soumya Murugesan. Special thanks to: Siti Faqihah and Tomas Garcia

“A stage space has two rules: (1) Anything can happen and (2) Something must happen.”
– Peter Brook

This experimental experience immerses both the audience and the performers. As an audience, you are encouraged to order, interact and encounter the events unfolding within the space. As a performer, you are to perform, improvise and affect the audience. Anything can happen during this experience, you expect something to happen.

Rooted in experimental research, this performance delves into the ritualistic aspects of technology use, with a particular focus on smartphones.

 

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