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[COMMA] MOV:MENT Lab x Jumping Frames: Dance Film Exhibition

[COMMA] MOV:MENT Lab x Jumping Frames: Dance Film Exhibition

Creative Arts

*SCAPE Whitespace, L3

Following the screening, the MOV:MENT Lab x Jumping Frames: Dance Film Exhibition will be held over two days to allow visitors to revisit the works at their own pace.

This installation-style format invites deeper reflection, offering a different way of encountering dance on screen—through lingering, returning, and observing how each film resonates in an open, gallery-like setting.

*SCAPE’s inaugural collaboration with Jumping Frames 2025 – Hong Kong’s International Movement-image Festival, showcases six compelling dance films selected by Jumping Frames curator, filmmaker and choreographer Ms. Elysa Wendi, all of which investigate movement through the lens of cinema.

Each work offers a distinct approach to choreography, visual rhythm, and embodied storytelling, revealing how dance can transcend the stage and take shape across varied environments and cinematic textures.

Exhibition Timings:

18 Jan 2026
5:00PM – 9:00PM

25 Jan 2026
12:00PM – 8:00PM

Ticket Price

Free - Walk Ins Welcome

Films Featured

The Dance of Life

Spring
Nature wakes up
Birds dancing
After the wedding dances follow autumn
Humans are lost, locked for
That kind is The Dance of Life

The Dance of Life documents the dancers of the Helsinki Youth Society performing an old Viennese-Karelian wedding dance, juxtaposed to the dance of birds, composing a symphony of nature.  It also reflects the director’s connection to humanity in the state of his mind in 1975’s Finland.

 

Director: Markku LEHMUSKALLIO (Finland)

PEPE (Moth Dances)

PEPE (Moth Dances) is a short film fusing taonga pūoro, contemporary dance, and digital art. Featuring Nancy Wijohn as a solo traveller embodying Hineraukatauri, the work draws on the cocoon-like form of the pūtōrino and the case moth as metaphors for transformation.

Silk, breath, and mycelial webs shape a sensory journey through ancestral memory and future vision. The project is a ritual of sound, motion, and spirit, rooted in Te Ao Māori and resonating across time.

 

Director: Daniel BELTON (New Zealand)

Sitting On A Man

Sitting on a man reimagines a bold Igbo women’s protest – where song and dance became tools of resistance.

Traditionally, women in Igbo speaking parts of Nigeria, came together to protest the behaviour of men by sitting on or making war on them by adorning themselves with palm fronds, dancing and singing protest songs outside the man in question’s home . This practice became infamous due its prominence as a tactic in the Aba Women’s War, the 1929 all woman protest against colonial rule. Two contemporary dancers reimagine the practice, drawing on both archival research and their own experiences.

 

Director: Onyeka IGWE (United Kingdom)

Bookanima: Dance

BOOKANIMA, a compound word of ‘Book’ and ‘Anima’, is Experimental Animation to give new cinematic life to books. It aims to create ‘Book Cinema’ in the third scope between Book and Cinema by Chronophotography Animation, paying homage to Edward Muybridge and Entienne-Jules Marey.

BOOKANIMA experiments Chronophotography Animation about Dance along with dance flow: Ballet-Korean Dance-Modern Dance-Jazz Dance-Aerial Silk-Tap dance-Aerobic-Disco-Break Dance-Hip Hop-Social Dance.

 

Director: Shon KIM (Korea)

Imperial Reminiscence

Imperial Reminiscence is a cinematic voyage of misguided desire (illegitimate and guilt-free) that traverses fantasies of cultural otherness. It reviews the historical and ongoing Western narrative of whitewashing in Hollywood films and brings attention to these racial transgressions that continue to oppress non-hegemonic bodies through her acts of mimesis and green-screening, to sample popular culture and colonial imagery in playful and humorous ways.

 

Director: Caroline GARCIA (Australia)

Unbearable Darkness Game Demo

Unbearable Darkness Game Demo is an experimental third-person, non-action, docu-adventure game inspired by the afterlives of Butoh dance master Tatsumi Hijikata. It is a recollection of thoughts, movements and expeditions into the world of Butoh. How does the digital, the virtual, the immaterial or non-human expressions collapse and expand the notion of wandering.

Unbearable Darkness Game Demo wanders into a capsule of paranormal dance experience, of speculative documentary and rendered dreams.

 

Director: CHOY Kar Fai (Germany, Japan)

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Free - Walk Ins Welcome

18 & 25 Jan 2026 | Various Timings

*SCAPE Whitespace, L3

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